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Caribbean Energy Policy, Societies, and Law Conference
Thursday October 4th 2018THE UNIVERSITY INN & CONFERENCE CENTRE
This conference offers a unique opportunity for academics, researchers, industry executives, regulators, members of civil society groups, and students to gather and reflect on the past, present, and future of energy production use in the Caribbean context. Participants will share their knowledge, experience, and research findings through a series of panel presentations, and two keynote speeches will be presented.
Commercial oil production in Trinidad and Tobago is in its 110th year, while Guyana is expected to commence offshore oil production in 2020. Working from the notion that “lessons learned” can contribute to the creation of policies that promote sustainable futures, we welcome the submission of research and conceptual papers that speak to the successes, difficulties, and failures associated with oil and gas production in the region. Comparative studies that situate Caribbean oil producers within the arena of global oil are of great interest, as are papers outlining “best practices” for managing Caribbean oil and gas in an age of energy transitions. The conference is multidisciplinary; we seek participants from diverse academic and practitioner backgrounds who will exchange knowledge and ideas and create new networks for 21st century solutions. As this conference aims to highlight energy, environment, law, and society, the areas of interest include but are not limited to:
- Laws and Policies for Sustainable Oil and Gas Development in the 21st Century
- The Trinidadian Model of Oil and Gas Development: Successes, Failures, Replicability?
- Impact of the North America Shale Revolution on Caribbean Oil and Gas Industry, Markets, and Economic Growth
- Global Energy Transitions: Climate Change Accords; Transitioning to Low Carbon Economies; The Role of Renewables in the Caribbean Energy Matrix
- Role of Public Authorities, Civil Society, NGOs, and the Private Sector in Promoting Sustainable Oil and Gas Development
- Gender, Energy, and Local Content/Workforce Issues
- Environmental Law and Ethics
- Human Rights and Environmental Rights: Engaging Communities and Stakeholders in Oil and Gas Development
- International Environmental Principles and Regional Environmental Issues
- Hazardous Waste Management in Energy Development
Abstract submission deadline: August 15, 2018
Call for papers for the international conference
Changing Global Hierarchies of Value? Museums, artifacts , frames, and flows
University of Copenhagen / National Museum of Denmark, 20–22 August, 2018
Museums are said to classify the world; but the world is changing, and so are the museum worlds and the worlds of arts and artefacts. This conference explores how the world is imagined and classified through the presentation, interpretation and classification of artifacts; and how the global hierarchy of value (cf. Herzfeld 2004) might be changing in through these flows and circulations.
In 2007, the German art historian Hans Belting coined the term “global art” to indicate that contemporary art was no longer the province of artists in the Global North, thus signaling a sea change in the international art world (Belting, in Weibel and Buddensieg 2007). Art historians, prior to Belting had long stipulated that the birth of modern art in 19th and 20th century Europe was partially predicated on inspirations from outside Europe in the guise of Orientalism, Chinoiserie, Japonisme, or “primitivism,” yet these modern artists were almost exclusively from Europe and—later—North America. Non-European artists went largely unnamed and unrecognized, as French surrealist poet André Breton’s famous mur d’atelier revealed. Modern art from the Global South or rapidly modernizing states in Eurasia and East Asia, was often dismissed as derivative of Western art, while contemporary traditional art was considered inauthentic (cf. Kasfir 1992).
Simultaneously, anthropologist Michael Herzfeld (2004) coined the term “global hierarchy of value” to denote the global cultural asymmetry that constituted the cultural successor to the political and military domination of European colonial systems. In the arts, early partial exceptions were Latin America, which—as the historical product of creole nationalisms (cf. Anderson 1982) and hence as a “pseudo-Europe” – saw the emergence of successful artists like Diego Rivera and Frida Kahlo and of movements like Brazilian modernism and neo-concretism; and Japan, which experimented with locally inflected, but modern, architecture. The imbalance in the Euro-centered art world changed when the Magiciens de la Terre exhibition was held in Paris (1989) and featured contemporary art by both Western and non-Western—and named—artists in equal numbers, albeit without implying an equal hierarchy of value.
The Magiciens de la Terre exhibition marked the coming out of contemporary artists from Asia, Africa, Latin America and Oceania on the global arts scene, and brought out in their participation in numerous exhibitions such as the Modernités plurielles at the Centre Pompidou in Paris, but also in biennales, art festivals, art fairs, and auctions around the world. Simultaneously, art institutions and events outside of Europe and North America gained in global prominence, by adopting the cultural forms, classificatory devices and exhibitionary technologies developed in Euro-America and applying those in their own contexts and for their own purposes. One could say that while the modern period witnessed the emergence of a global Europe, the current “post-postcolonial” period is marked by the globalization of the other continents—at least in terms of the arts: in that sense it is increasingly possible to speak of global Asia, global Africa, global Latin America as geographic entities that challenge the global hierarchy of value.
At the same time, recent decades have seen the unfolding of increasingly interconnected global networks of production, labor, consumption, and capital accumulation, a process broadly known as globalization. But can we also talk of a globalized taste regime or set of preferences à la Bourdieu? Are recently booming or expanding global players in Asia, Africa, and Latin America reconfiguring the relative value of styles, objects, or traditional artifacts, thereby challenging the old Eurocentric order and organization of the good and the beautiful? Even if the West remains the universal unmarked, attention should be given to the ways in which it is now often amplified, mocked, or ironized by non-Western masters of its artistic, architectural, or artisanal forms. How is globalization affecting existing or emerging museums as economic and commercial players in a world of accelerating mass tourism and brand fixation? How is the complex past of European interaction and Eurocentric notions of cosmopolitanism rethought and exhibited today in postcolonial theaters of historical encounter, exchange, or conflict?
This is the final conference of the project ‘Global Europe: Constituting Europe from the Outside In through Artefacts’ (see http://globaleurope.ku.dk/). The Global Europe project explores how the collection, circulation, classification and museum exhibition of objects define Europe from the outside in during Europe’s present loss of global hegemony—especially in relation to Japan and four non-European BRICS countries (Brazil, China, India, South Africa), in comparison with the early modern period of European ascendancy. This ‘Changing Global Hierarchies of Value?’ conference invites both paper proposals on a range of topics that explore global networks of valuation and validation and their local forms and entanglements in the current period. The papers are expected to be empirically grounded, and may—but do not have to—refer to the five countries targeted by the Global Europe project.
The keynote speech titled Museum Transactions: Negotiating Knowledges, Governing Cultures will be presented by Professor Tony Bennett of the Institute for Culture and Society of the Western Sydney University in Australia. Tony Bennett is the author of—among many other works—The birth of the museum: history, theory, politics (1995), Pasts beyond memories: evolution, museums, colonialism (2004), and Making culture, changing society (2013); and he currently leads the project ‘Museum, Field, Metropolis, Colony: Practices of Social Governance.’ For more information, please see https://www.westernsydney.edu.au/ics/people/researchers/tony_bennett.
The conference is convened by Prof Oscar Salemink, Amélia Siegel Corrêa PhD, Jens Sejrup PhD, Caroline Lillelund and Vibe Nielsen, who make up the research team for the Global Europe project.
Muslim Cultures in the Indian Ocean: Diversity and Pluralism, Past and Present
September 12–14, 2018
This conference aims to explore the diversity of Muslim cultures prevalent in the Indian Ocean region where, historically, Muslims have interacted for centuries with each other and with other peoples and cultures. Islam not only provided the scaffolding that facilitated cultural exchanges but was also the pivot for transforming local societies. The conference seeks to bring together experts from different disciplines and backgrounds including archaeologists, historians, sociologists, anthropologists, geographers, and scholars of related disciplines to explore various facets of this diversity. This conference marks a reconnaissance of the Indian Ocean not as a periphery but as a centre for the study of Muslim cultures.
Indeed, over the past couple of decades, significant new research has been undertaken across East Africa, the Arabian Peninsula and the Indian subcontinent leading to fresh insights on a number of facets of Indian Ocean cultures. Some of these studies were written about the Indian Ocean on the longue durée and other studies were focused on local and regional histories. Cultural encounters across the Indian Ocean down the centuries have given rise to cities, towns, ports and other constructions and artefacts which, while remaining distinctive in themselves, also exhibit layers of shared features. They manifest the craftsmanship and values of their creators, peoples whose diversity is almost proverbial. Similar endeavours are present in almost all aspects of human creativity through contact, including religious beliefs and practices, literature, architecture, trade, cuisine, textiles and fashion, etc. Cultural contacts, exchanges and networks were facilitated by the sea as a link between these diverse worlds. Like the Mediterranean – so well studied by Fernand Braudel – the Indian Ocean is a rich contact zone that is central to the understanding of cultural diversity in this vast region.
MIGRANTS AND REFUGEES IN THE LAW
Historic evolution, current situation and unsolved questions
IV INTERNATIONAL CONFERENCE CHAIR INNOCENT III
Murcia (Spain), December 12 -13 -14, 2018
Murcia (España), 12,13,14 diciembre de 2018
PRESENTACIÓN DE PROPUESTAS
IV Congresso Internazionale CATTEDRA INNOCENZO III
Murcia (Spagna), 12,13,14 dicembre 2018
CALL FOR PAPERS
La Cattedra Innocenzo III invita gli studiosi interessati ad apportare il loro contributo scientifico sul tema della mobilità umana e dell’accoglienza dei rifugiati dal punto di vista della Storia del Diritto, del Diritto Canonico, del Diritto Romano, del Diritto Comparato, della Filosofia, della Teologia, della Storia, della Sociologia, e di ogni altra disciplina pertinente al tema proposto, nell’ambito delle seguenti
- dicembre: sessione LA MIGRAZIONE NEL MONDO ANTICO E MEDIEVALE. Approccio storico al tema della mobilità umana.
- dicembre: sessione NAZIONE, STATO, RIVOLUZIONE. La situazione dei migranti e dei rifugiati a partire dalla nascita dello Stato moderno.
- dicembre: sessione TRA EMERGENZA E ORDINARIETÀ. Proposte per la valorizzazione di un fenomeno costante nell’età contemporanea.
PRESENTAZIONE DELLE PROPOSTE
Titolo della comunicazione, affiliazione accademica, breve curriculum vitae e abstract di 200 parole. Lingue: EN, IT, ES, DE, FR, via mail a: [email protected]
15 settembre 2018. Il Comitato scientifico darà risposta a coloro che avranno presentato l’abstract entro il 30 settembre 2018.
Le comunicazioni scelte dal comitato scientifico saranno pubblicate nel numero monografico della Rivista Vergentis (ISSN: 2445-2394) nel primo semestre del 2019.
The Sultan Qaboos Cultural Center (SQCC) supports and encourages advanced research on Oman across a variety of academic disciplines through the SQCC Research Fellowship Program. Launched in 2010, this program funds U.S.-based scholars to conduct research in the Sultanate of Oman. This program is offered annually and is open to Ph.D. candidates and university academics.
Funding: Up to 50,000 USD for one year of research.
Eligibility: Applicants must be a U.S. citizen or affiliated with a U.S.-based university, and either a Ph.D. candidate or university academic.
Dates: Research must be carried out in 2019.
To submit an application or for more information, please visit the SQCC website.
Applications due 16 September 2018.
VANDA Call for Papers – Deadline extended until June 15th, 2018. Submit your paper now!
VANDA is an international conference, taking place in the beautiful capital of Austria on September 19-22, 2018, which aims to bring together scholars from various fields of anthropology, social sciences and humanities.
VANDA is meant to be more than a mainstream conference. It includes an interactive Young Scholars’ Forum, where graduate students can network, receive mentoring and practical advice from experienced researchers. Apart from the classic conference formats session organizers are free to introduce their own creative formats.
VANDA is a green, socially inclusive conference and offers a unique social activity program.
VANDA is a joint effort by three anthropological institutions in town – the Institute for Social Anthropology (ISA) of the Austrian Academy of Sciences, the Weltmuseum Wien (formerly the Museum of Ethnology), and the Department of Social and Cultural Anthropology at the University of Vienna.
Conference on ‘Folk Belief’ and ‘The Supernatural in Literature and Film’
Why are some places especially prone to associations with the supernatural? Might it be because of liminal geographies, of the complex histories of ancient human landscapes, of fear about what lurks in the darkness? Are communities’ beliefs shaped by the environments in which they live, or does the recurrence of certain belief across environmental and geographic divides suggest that place is ultimately irrelevant? When we read a book or watch a film with supernatural themes, is the setting just window dressing, or can the mountains, the palaces, the forests, the skyscrapers be characters in their own right?
Previous conferences in this series have been held on remote islands (Shetland’s North Isles, 2014), in a hyper-
This conference considers the themes of 1) folk belief, legends, and vernacular religion and 2) the supernatural in literature and film. We will combine academic presentations with explorations of communities in Georgia’s Svaneti and Tbilisi regions. Special emphasis will be given to the question of the role that ‘place’ plays in the conceptions of the supernatural: from folk narratives to local religious traditions; from the monsters, fairies, and witches of cinema to the miraculous in literature. Could these tales and customs occur just about anywhere? Or do they take place in the just the place they need to be?
How to make attend and make a presentation.
Presentations are welcome on all aspects of of either folk belief or the supernatural in literature and film, though we encourage delegates to address the theme of the role of place in conceptions of the supernatural.Presentations last 15 minutes and will be followed by around 5 minutes’ question time. Note that, due to the ‘remote’ location of the conference, audio-
The first deadline for abstracts is 30 September 2018. (Later abstracts may be accepted if there is room available at the conference, but people who submit an abstract prior to the deadline will have the first opportunity to reserve a spot and to take advantage of the early registration rate.) You can submit your abstract here. The deadline for early registration is 30 November 2018.
GERMAN STUDIES ASSOCIATION: CALL FOR SEMINAR PROPOSALS
The 42nd GSA Conference in Pittsburgh, PA (September 27–30, 2018) will continue to host a series of seminars in addition to conference sessions and roundtables.
Seminars meet for all three days of the conference. They explore new avenues of academic exchange and foster extended discussion, rigorous intellectual debate, and intensified networking. Seminars are typically proposed and led by two to three conveners and they consist of 12 to 20 participants, including scholars from different disciplines and at different career stages. Seminars may enable extended discussion of a recent academic publication; the exploration of a promising new research topic; engagement with pre-circulated papers; an opportunity to debate the work of scholars with different approaches; the coming together of groups of scholars seeking to develop an anthology; or the in-depth discussion of a political or public policy issue, novel, film, poem, artwork, or musical piece.
In order to facilitate extended discussion, seminar conveners and participants should participate in all three seminar meetings. Please note that seminar conveners and seminar applicants who have been accepted for seminar participation will not be allowed to submit a paper in a regular panel session. However, they may take on one additional role in the conference as moderator or commentator on another session independent of their enrollment in a seminar, or they may participate in a roundtable.
Although we accept proposals from conveners who have directed a seminar during the past two consecutive years, we give preference to newcomers and thus encourage the rotation of seminar conveners in similarly-themed seminars. We further recommend that those conveners contact the coordinators of the Interdisciplinary Network Committee, Professors Pamela Potter ([email protected]) and Winson Chu ([email protected]), to establish an official GSA Network on their topic.
The application process has two steps. Initially, we invite you to submit a preliminary proposal that includes the following items:
- Names of conveners
- A 150-word description of the seminar’s subject (which will eventually be used in the call for participants, the printed program, and the online program/mobile app)
- A 50-word description of the format of the seminar (which will also appear in the call for participants, etc.)
These items are due by November 13, 2017.
Please submit your application online at https://www.xcdsystem.com/gsa. Your username and password are the same ones you use to log in to your GSA profile at https://thegsa.org/members/profile. Please note that you must be a current member of the GSA to submit a proposal. If you need your password reset, please contact Ms. Ursula Gray ([email protected]) at Johns Hopkins University Press. If technical questions or problems arise with the submission interface itself, please contact Elizabeth Fulton at [email protected].
At this point, the GSA Seminar Committee will provide suggestions and assistance for the final submission, which is due by December 13, 2017. The committee will then review seminar proposals and post a list of approved seminars and their topics on the GSA website by early January 2018.
The GSA Seminar Committee consists of:
Margaret Eleanor Menninger (Texas State University) | [email protected] (Chair)
Maria Mitchell (Franklin & Marshall College) | [email protected]
Faye Stewart (Georgia State University) | [email protected]
16th RAI Film Festival 2019 Conference Call for Panels
[Deadline 30 September 2018]
The 16th RAI Film Festival will take place 27-30 March 2019 at the Watershed in Bristol (UK). Alongside this, the Royal Anthropological Institute is pleased to announce an accompanying conference:
Expanding the Frame: Ethnographic Film and its Others
Despite decades of trying, anthropologists have not managed to come to any settled agreement on what ethnographic film is or should be. Rather than being chained to the “classics” or a “canon”, anthropological filmmakers and ethnographic filmmaking have instead pushed for new approaches. These approaches continue to blur any presumed boundaries of the field. Increasingly, ethnographic film has sought to position itself in productive relationships alongside fellow travellers, including:
indigenous, diasporic, intercultural, African/black cinemas and experimental/art film
We invite panels that explore the boundaries of ethnographic film.
The aim of this conference is to provoke reflection on the relationship between ethnographic film and other filmmaking endeavours that are – or have the potential to be – constructive critical interlocutors. To what extent can ethnographic film practice creatively engage with other film traditions yet still retain its scholarly roots and aims? Does it need to?
The RAI welcomes panels on any aspect of the topic, whether theoretical or ethnographic. Amongst the possible (but not restricted to) areas which may be considered are:
– Recent debates on the relation between ethnographic film and cinematic traditions such as indigenous, diasporic, intercultural, African/black cinemas and experimental/art film
– Decolonizing documentary/ethnographic film
– Collaborative research and filmmaking practices
– Virtual & Augmented Reality, 360° filmmaking, interactive documentary and their affordances
– Intellectual ownership, copyright and authorship
– Digital and infrastructural divides
– Non-representational theories and practices
– Indigenous broadcasting/media and anthropology
– Global indigenous movements
– Indigenous, ethnic, and minority identities and film
– Film as performance, event and process
– Audience reception, film festivals and distribution practices
It is the intention of the organisers that this conference be integrated with the Festival, meaning that conference delegates will have the opportunity to attend the screenings, as well as speak at the conference.
Proposals for panels should be made by 30 September 2018 by filling out the online form.
Please direct any questions or queries to Caterina Sartori (RAI Film Officer): [email protected]
CALL FOR APPLICATIONS: 2019 HWW National Predoctoral Career Diversity Residential Summer Workshop
Humanities Without Walls (HWW) is a consortium of humanities centers and institutes at 15 major research universities throughout the Midwest and beyond. Based at the Illinois Program for Research in the Humanities at the University of Illinois at Urbana-Champaign (UIUC), the HWW consortium is funded by a grant from the Andrew W. Mellon Foundation.
In summer 2019, HWW is holding its second national, in-residence summer workshop for doctoral students interested in learning about careers outside of the academy and/or the tenure track system. Chicago Humanities Festival (CHF)—a leading public humanities organization—designs and runs the summer workshop in consultation with HWW. Through a series of workshops, talks, and field trips, participants learn how to leverage their skills and training towards careers in the private sector, the non-profit world, arts administration, public media and many other fields.
We invite applications from doctoral students pursuing degree in the humanities and humanistic social sciences to participate in this three-week, in-residence summer workshop. This is a limited-submission application. Eligible doctoral students must be nominated for this fellowship by their home institutions, and only one nomination may be made to HWW by each university. To be considered, interested doctoral students must submit their applications to their home universities’ humanities center director, graduate college dean, or equivalent by September 30th, 2018.
About the Workshop: Launched in 2015 as an initiative of the HWW consortium, the workshop welcomes thirty participants each summer from higher education institutions across the United States. HWW Summer Workshop Fellows work in a variety of academic disciplines. They are scholars and practitioners who bring experience in community building, museum curation, filmmaking, radio programming, social media, project management, research, writing, and teaching. They are invested in issues of social justice and seek ways to bring humanistic values, insights, and skills to the public and private sectors.
In the spirit of practice-oriented learning, HWW and CHF partner with entities such as IDEO, a design and consulting firm, to lead students in real-world problem-solving exercises around important contemporary issues. Recognizing that each fellow’s skillset has been primarily oriented toward an academic track, the workshop includes sessions on values-based career planning, resume and cover letter construction, networking, and social media strategies from experts in career development.
Graduates from the workshop will emerge with a network of contacts in a range of professional realms; a significantly broadened sense of the career possibilities that await humanities PhDs; a cohort of HWW Summer Workshop Fellows (and friends!) from whom they may draw support and advice; and a set of resources aimed at helping them advance into the various realms considered under the broad rubric of “the public humanities.”
Where: Chicago, Illinois. Most weekday workshop events will take place at the Genevieve and Wayne Gratz Center at Fourth Presbyterian Church, 126 E. Chestnut St (at N. Michigan Ave.). The workshop also includes site visit to organizations around the city.
This is an in-residence workshop. As such, all participants, regardless of regular place of domicile, will be housed in private apartments. The costs of lodging are included in the fellowship. Staying in the provided housing is required as a condition of acceptance this fellowship. Details about lodging will be provided to those selected for the workshop.
When: Summer 2019—July 15th through August 2nd. Workshop sessions take place from approximately 9am to 5pm, Monday through Friday, for three weeks. Fellows are required to attend all workshop events and are strongly discouraged from traveling during the workshop. While there are no events scheduled during weekends, the CHF will circulate a list of interesting and exciting activities happening around Chicago that students are welcome to explore on their own.
Eligibility: All applicants must be enrolled in a doctoral degree program in a humanities or humanistic social science discipline at a PhD-granting institution within the United States. Applicants may be at any stage of their doctoral work, but they cannot have already received the doctoral degree at the time the workshop takes place. Ideally, applicants will have completed some coursework towards their doctoral degree, and they may have been advanced to candidacy but are not yet finishing their dissertations. International students are eligible to apply, but are responsible for confirming their registration and eligibility status at their home universities; HWW is not responsible for issuing visa paperwork.
Fellowship Prize: Each fellow will receive a $5,000 prize intended to cover travel to and from the summer workshop, most meals, and all incidentals. Fellows will be expected to arrange and pay for their own travel using the funds from this prize. The Chicago Humanities Festival will be arranging housing for all fellows in Chicago near the Gratz Center. All fellows are expected to attend the entire workshop for the entire three weeks and to stay in the provided housing.
Application Requirements: Interested doctoral students in the humanities should submit their applications to their home universities’ humanities center director, graduate college dean, or equivalent by September 30th, 2018. Combine and submit all application materials as a single PDF file.
The application file should contain:
- A completed application cover sheet.
- A narrative (1,000 words maximum) explaining the applicant’s intended career trajectory and addressing the following questions:
• What is your experience with the “public humanities”?
• Why are you interested in attending the workshop?
• What kinds of knowledge are you seeking from the workshop?
• What do you hope to achieve as a result of attending the workshop?
• How do you envision sharing what you learn at the workshop with your department, campus, and beyond?
- CV (two pages maximum),
- Two letters of recommendation. One letter should be from the applicant’s primary adviser/dissertation chair; both should emphasize the applicant’s fit for this workshop.
Application Procedures: This is a limited-submission application. Eligible doctoral students must be nominated for this fellowship by their home institutions, and only one nomination may be subnitted to HWW from any given university.
Interested students must submit the application materials listed above to their universities’ humanities center director, graduate college dean, or equivalent by September 30th, 2018. Please do not submit your applications directly to HWW.
Humanities Center Directors, Graduate College Deans, or equivalents should submit the application for their nominee by 5:00 pm CDT on November 2nd, 2018. Applications should be submitted to [email protected] as a single PDF file attached to an email with the subject line “2019 Predoc Application.”
Announcement of fellowship awards will be made in January 2019. All questions should be directed to Jason Mierek, Director of Operations of the HWW Consortium, at [email protected].