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Caribbean Energy Policy, Societies, and Law Conference
Thursday October 4th 2018THE UNIVERSITY INN & CONFERENCE CENTRE
This conference offers a unique opportunity for academics, researchers, industry executives, regulators, members of civil society groups, and students to gather and reflect on the past, present, and future of energy production use in the Caribbean context. Participants will share their knowledge, experience, and research findings through a series of panel presentations, and two keynote speeches will be presented.
Commercial oil production in Trinidad and Tobago is in its 110th year, while Guyana is expected to commence offshore oil production in 2020. Working from the notion that “lessons learned” can contribute to the creation of policies that promote sustainable futures, we welcome the submission of research and conceptual papers that speak to the successes, difficulties, and failures associated with oil and gas production in the region. Comparative studies that situate Caribbean oil producers within the arena of global oil are of great interest, as are papers outlining “best practices” for managing Caribbean oil and gas in an age of energy transitions. The conference is multidisciplinary; we seek participants from diverse academic and practitioner backgrounds who will exchange knowledge and ideas and create new networks for 21st century solutions. As this conference aims to highlight energy, environment, law, and society, the areas of interest include but are not limited to:
- Laws and Policies for Sustainable Oil and Gas Development in the 21st Century
- The Trinidadian Model of Oil and Gas Development: Successes, Failures, Replicability?
- Impact of the North America Shale Revolution on Caribbean Oil and Gas Industry, Markets, and Economic Growth
- Global Energy Transitions: Climate Change Accords; Transitioning to Low Carbon Economies; The Role of Renewables in the Caribbean Energy Matrix
- Role of Public Authorities, Civil Society, NGOs, and the Private Sector in Promoting Sustainable Oil and Gas Development
- Gender, Energy, and Local Content/Workforce Issues
- Environmental Law and Ethics
- Human Rights and Environmental Rights: Engaging Communities and Stakeholders in Oil and Gas Development
- International Environmental Principles and Regional Environmental Issues
- Hazardous Waste Management in Energy Development
Abstract submission deadline: August 15, 2018
Call for papers for the international conference
Changing Global Hierarchies of Value? Museums, artifacts , frames, and flows
University of Copenhagen / National Museum of Denmark, 20–22 August, 2018
Museums are said to classify the world; but the world is changing, and so are the museum worlds and the worlds of arts and artefacts. This conference explores how the world is imagined and classified through the presentation, interpretation and classification of artifacts; and how the global hierarchy of value (cf. Herzfeld 2004) might be changing in through these flows and circulations.
In 2007, the German art historian Hans Belting coined the term “global art” to indicate that contemporary art was no longer the province of artists in the Global North, thus signaling a sea change in the international art world (Belting, in Weibel and Buddensieg 2007). Art historians, prior to Belting had long stipulated that the birth of modern art in 19th and 20th century Europe was partially predicated on inspirations from outside Europe in the guise of Orientalism, Chinoiserie, Japonisme, or “primitivism,” yet these modern artists were almost exclusively from Europe and—later—North America. Non-European artists went largely unnamed and unrecognized, as French surrealist poet André Breton’s famous mur d’atelier revealed. Modern art from the Global South or rapidly modernizing states in Eurasia and East Asia, was often dismissed as derivative of Western art, while contemporary traditional art was considered inauthentic (cf. Kasfir 1992).
Simultaneously, anthropologist Michael Herzfeld (2004) coined the term “global hierarchy of value” to denote the global cultural asymmetry that constituted the cultural successor to the political and military domination of European colonial systems. In the arts, early partial exceptions were Latin America, which—as the historical product of creole nationalisms (cf. Anderson 1982) and hence as a “pseudo-Europe” – saw the emergence of successful artists like Diego Rivera and Frida Kahlo and of movements like Brazilian modernism and neo-concretism; and Japan, which experimented with locally inflected, but modern, architecture. The imbalance in the Euro-centered art world changed when the Magiciens de la Terre exhibition was held in Paris (1989) and featured contemporary art by both Western and non-Western—and named—artists in equal numbers, albeit without implying an equal hierarchy of value.
The Magiciens de la Terre exhibition marked the coming out of contemporary artists from Asia, Africa, Latin America and Oceania on the global arts scene, and brought out in their participation in numerous exhibitions such as the Modernités plurielles at the Centre Pompidou in Paris, but also in biennales, art festivals, art fairs, and auctions around the world. Simultaneously, art institutions and events outside of Europe and North America gained in global prominence, by adopting the cultural forms, classificatory devices and exhibitionary technologies developed in Euro-America and applying those in their own contexts and for their own purposes. One could say that while the modern period witnessed the emergence of a global Europe, the current “post-postcolonial” period is marked by the globalization of the other continents—at least in terms of the arts: in that sense it is increasingly possible to speak of global Asia, global Africa, global Latin America as geographic entities that challenge the global hierarchy of value.
At the same time, recent decades have seen the unfolding of increasingly interconnected global networks of production, labor, consumption, and capital accumulation, a process broadly known as globalization. But can we also talk of a globalized taste regime or set of preferences à la Bourdieu? Are recently booming or expanding global players in Asia, Africa, and Latin America reconfiguring the relative value of styles, objects, or traditional artifacts, thereby challenging the old Eurocentric order and organization of the good and the beautiful? Even if the West remains the universal unmarked, attention should be given to the ways in which it is now often amplified, mocked, or ironized by non-Western masters of its artistic, architectural, or artisanal forms. How is globalization affecting existing or emerging museums as economic and commercial players in a world of accelerating mass tourism and brand fixation? How is the complex past of European interaction and Eurocentric notions of cosmopolitanism rethought and exhibited today in postcolonial theaters of historical encounter, exchange, or conflict?
This is the final conference of the project ‘Global Europe: Constituting Europe from the Outside In through Artefacts’ (see http://globaleurope.ku.dk/). The Global Europe project explores how the collection, circulation, classification and museum exhibition of objects define Europe from the outside in during Europe’s present loss of global hegemony—especially in relation to Japan and four non-European BRICS countries (Brazil, China, India, South Africa), in comparison with the early modern period of European ascendancy. This ‘Changing Global Hierarchies of Value?’ conference invites both paper proposals on a range of topics that explore global networks of valuation and validation and their local forms and entanglements in the current period. The papers are expected to be empirically grounded, and may—but do not have to—refer to the five countries targeted by the Global Europe project.
The keynote speech titled Museum Transactions: Negotiating Knowledges, Governing Cultures will be presented by Professor Tony Bennett of the Institute for Culture and Society of the Western Sydney University in Australia. Tony Bennett is the author of—among many other works—The birth of the museum: history, theory, politics (1995), Pasts beyond memories: evolution, museums, colonialism (2004), and Making culture, changing society (2013); and he currently leads the project ‘Museum, Field, Metropolis, Colony: Practices of Social Governance.’ For more information, please see https://www.westernsydney.edu.au/ics/people/researchers/tony_bennett.
The conference is convened by Prof Oscar Salemink, Amélia Siegel Corrêa PhD, Jens Sejrup PhD, Caroline Lillelund and Vibe Nielsen, who make up the research team for the Global Europe project.
Muslim Cultures in the Indian Ocean: Diversity and Pluralism, Past and Present
September 12–14, 2018
This conference aims to explore the diversity of Muslim cultures prevalent in the Indian Ocean region where, historically, Muslims have interacted for centuries with each other and with other peoples and cultures. Islam not only provided the scaffolding that facilitated cultural exchanges but was also the pivot for transforming local societies. The conference seeks to bring together experts from different disciplines and backgrounds including archaeologists, historians, sociologists, anthropologists, geographers, and scholars of related disciplines to explore various facets of this diversity. This conference marks a reconnaissance of the Indian Ocean not as a periphery but as a centre for the study of Muslim cultures.
Indeed, over the past couple of decades, significant new research has been undertaken across East Africa, the Arabian Peninsula and the Indian subcontinent leading to fresh insights on a number of facets of Indian Ocean cultures. Some of these studies were written about the Indian Ocean on the longue durée and other studies were focused on local and regional histories. Cultural encounters across the Indian Ocean down the centuries have given rise to cities, towns, ports and other constructions and artefacts which, while remaining distinctive in themselves, also exhibit layers of shared features. They manifest the craftsmanship and values of their creators, peoples whose diversity is almost proverbial. Similar endeavours are present in almost all aspects of human creativity through contact, including religious beliefs and practices, literature, architecture, trade, cuisine, textiles and fashion, etc. Cultural contacts, exchanges and networks were facilitated by the sea as a link between these diverse worlds. Like the Mediterranean – so well studied by Fernand Braudel – the Indian Ocean is a rich contact zone that is central to the understanding of cultural diversity in this vast region.
MIGRANTS AND REFUGEES IN THE LAW
Historic evolution, current situation and unsolved questions
IV INTERNATIONAL CONFERENCE CHAIR INNOCENT III
Murcia (Spain), December 12 -13 -14, 2018
Murcia (España), 12,13,14 diciembre de 2018
PRESENTACIÓN DE PROPUESTAS
IV Congresso Internazionale CATTEDRA INNOCENZO III
Murcia (Spagna), 12,13,14 dicembre 2018
CALL FOR PAPERS
La Cattedra Innocenzo III invita gli studiosi interessati ad apportare il loro contributo scientifico sul tema della mobilità umana e dell’accoglienza dei rifugiati dal punto di vista della Storia del Diritto, del Diritto Canonico, del Diritto Romano, del Diritto Comparato, della Filosofia, della Teologia, della Storia, della Sociologia, e di ogni altra disciplina pertinente al tema proposto, nell’ambito delle seguenti
- dicembre: sessione LA MIGRAZIONE NEL MONDO ANTICO E MEDIEVALE. Approccio storico al tema della mobilità umana.
- dicembre: sessione NAZIONE, STATO, RIVOLUZIONE. La situazione dei migranti e dei rifugiati a partire dalla nascita dello Stato moderno.
- dicembre: sessione TRA EMERGENZA E ORDINARIETÀ. Proposte per la valorizzazione di un fenomeno costante nell’età contemporanea.
PRESENTAZIONE DELLE PROPOSTE
Titolo della comunicazione, affiliazione accademica, breve curriculum vitae e abstract di 200 parole. Lingue: EN, IT, ES, DE, FR, via mail a: [email protected]
15 settembre 2018. Il Comitato scientifico darà risposta a coloro che avranno presentato l’abstract entro il 30 settembre 2018.
Le comunicazioni scelte dal comitato scientifico saranno pubblicate nel numero monografico della Rivista Vergentis (ISSN: 2445-2394) nel primo semestre del 2019.
VANDA Call for Papers – Deadline extended until June 15th, 2018. Submit your paper now!
VANDA is an international conference, taking place in the beautiful capital of Austria on September 19-22, 2018, which aims to bring together scholars from various fields of anthropology, social sciences and humanities.
VANDA is meant to be more than a mainstream conference. It includes an interactive Young Scholars’ Forum, where graduate students can network, receive mentoring and practical advice from experienced researchers. Apart from the classic conference formats session organizers are free to introduce their own creative formats.
VANDA is a green, socially inclusive conference and offers a unique social activity program.
VANDA is a joint effort by three anthropological institutions in town – the Institute for Social Anthropology (ISA) of the Austrian Academy of Sciences, the Weltmuseum Wien (formerly the Museum of Ethnology), and the Department of Social and Cultural Anthropology at the University of Vienna.
Conference on ‘Folk Belief’ and ‘The Supernatural in Literature and Film’
Why are some places especially prone to associations with the supernatural? Might it be because of liminal geographies, of the complex histories of ancient human landscapes, of fear about what lurks in the darkness? Are communities’ beliefs shaped by the environments in which they live, or does the recurrence of certain belief across environmental and geographic divides suggest that place is ultimately irrelevant? When we read a book or watch a film with supernatural themes, is the setting just window dressing, or can the mountains, the palaces, the forests, the skyscrapers be characters in their own right?
Previous conferences in this series have been held on remote islands (Shetland’s North Isles, 2014), in a hyper-
This conference considers the themes of 1) folk belief, legends, and vernacular religion and 2) the supernatural in literature and film. We will combine academic presentations with explorations of communities in Georgia’s Svaneti and Tbilisi regions. Special emphasis will be given to the question of the role that ‘place’ plays in the conceptions of the supernatural: from folk narratives to local religious traditions; from the monsters, fairies, and witches of cinema to the miraculous in literature. Could these tales and customs occur just about anywhere? Or do they take place in the just the place they need to be?
How to make attend and make a presentation.
Presentations are welcome on all aspects of of either folk belief or the supernatural in literature and film, though we encourage delegates to address the theme of the role of place in conceptions of the supernatural.Presentations last 15 minutes and will be followed by around 5 minutes’ question time. Note that, due to the ‘remote’ location of the conference, audio-
The first deadline for abstracts is 30 September 2018. (Later abstracts may be accepted if there is room available at the conference, but people who submit an abstract prior to the deadline will have the first opportunity to reserve a spot and to take advantage of the early registration rate.) You can submit your abstract here. The deadline for early registration is 30 November 2018.
GERMAN STUDIES ASSOCIATION: CALL FOR SEMINAR PROPOSALS
The 42nd GSA Conference in Pittsburgh, PA (September 27–30, 2018) will continue to host a series of seminars in addition to conference sessions and roundtables.
Seminars meet for all three days of the conference. They explore new avenues of academic exchange and foster extended discussion, rigorous intellectual debate, and intensified networking. Seminars are typically proposed and led by two to three conveners and they consist of 12 to 20 participants, including scholars from different disciplines and at different career stages. Seminars may enable extended discussion of a recent academic publication; the exploration of a promising new research topic; engagement with pre-circulated papers; an opportunity to debate the work of scholars with different approaches; the coming together of groups of scholars seeking to develop an anthology; or the in-depth discussion of a political or public policy issue, novel, film, poem, artwork, or musical piece.
In order to facilitate extended discussion, seminar conveners and participants should participate in all three seminar meetings. Please note that seminar conveners and seminar applicants who have been accepted for seminar participation will not be allowed to submit a paper in a regular panel session. However, they may take on one additional role in the conference as moderator or commentator on another session independent of their enrollment in a seminar, or they may participate in a roundtable.
Although we accept proposals from conveners who have directed a seminar during the past two consecutive years, we give preference to newcomers and thus encourage the rotation of seminar conveners in similarly-themed seminars. We further recommend that those conveners contact the coordinators of the Interdisciplinary Network Committee, Professors Pamela Potter ([email protected]) and Winson Chu ([email protected]), to establish an official GSA Network on their topic.
The application process has two steps. Initially, we invite you to submit a preliminary proposal that includes the following items:
- Names of conveners
- A 150-word description of the seminar’s subject (which will eventually be used in the call for participants, the printed program, and the online program/mobile app)
- A 50-word description of the format of the seminar (which will also appear in the call for participants, etc.)
These items are due by November 13, 2017.
Please submit your application online at https://www.xcdsystem.com/gsa. Your username and password are the same ones you use to log in to your GSA profile at https://thegsa.org/members/profile. Please note that you must be a current member of the GSA to submit a proposal. If you need your password reset, please contact Ms. Ursula Gray ([email protected]) at Johns Hopkins University Press. If technical questions or problems arise with the submission interface itself, please contact Elizabeth Fulton at [email protected].
At this point, the GSA Seminar Committee will provide suggestions and assistance for the final submission, which is due by December 13, 2017. The committee will then review seminar proposals and post a list of approved seminars and their topics on the GSA website by early January 2018.
The GSA Seminar Committee consists of:
Margaret Eleanor Menninger (Texas State University) | [email protected] (Chair)
Maria Mitchell (Franklin & Marshall College) | [email protected]
Faye Stewart (Georgia State University) | [email protected]
CFP: 40th Annual Conference of the Nineteenth Century Studies Association, March 7-9, 2019 Kansas City, Missouri: EXPLORATIONS
The NCSA conference committee invites proposals that examine the theme of explorations in the history, literature, art, music and popular culture of the nineteenth century.
Disciplinary and interdisciplinary approaches to this theme are welcome from North American, British, European, Asian, African and worldwide perspectives.
From the early nineteenth century, when Lewis and Clark paddled through the Kansas City area on their way up the Missouri River to explore the North American continent, through the dawn of the Industrial Revolution, the building of factories and railroads, the mechanization of agriculture, and the advent of mass-produced cultural artifacts, the American Midwest became a crossroads for explorers and inventors, hucksters and entrepreneurs, artists and musicians, poets and dreamers who pursued their discoveries toward destinations made possible by the wide-open spaces of the Great Plains. In this way, the Kansas City region is emblematic of a larger set of trends in the global evolution of culture that radically altered the fundamental conditions of human existence during the nineteenth century.
- How does the discovery of new geographical knowledge change the perception of human possibility?
- How do innovations in science and technology affect the development of literature, music and art?
- How does the recovery of previously unheard voices – of women, of workers, of ethnic minorities and people of color – influence the understanding of social history in America and the wider world?
- Topics for investigation include encounters between Western explorers and indigenous people; the impact of steamships and railways upon changing perceptions of time and space; resistance and accommodation between traditional folkways and mass-produced culture; and the development of new idioms in literature, art and music to express the broader horizons of nineteenth-century self-awareness.
Proposals are due by September 30, 2018. Send 300-word abstracts (as an email attachment in MS Word format) along with a one-page CV to [email protected]
Call for Roundtable Proposals: Roundtable discussions provide conference attendees the opportunity to engage in spirited conversation and collaborative exchange of information and resources. The format of roundtable discussions will be lively, interactive discourse among presenters and conference participants, not lecture or panel-style delivery. Roundtable sessions will be 80 minutes long. Presenters should regard themselves primarily as facilitators and should limit their own prepared remarks to five minutes or less. Extensive collaboration among the presenters before the conference is encouraged, since the goal is to foster extensive, diverse, and cogent perspectives on interdisciplinary research topics of general interest to NCSA members. Roundtables should be pre-organized by a group of 4-8 presenters. To propose a roundtable topic, please send a single 300-word abstract describing the general topic of the roundtable (as an email attachment in MS Word format) to [email protected].
Your abstract should include the proposed session title and the full name of each presenter, with their email and phone contacts, job title and affiliation. Indicate which presenter has agreed to serve as discussion moderator. Please be sure to confirm the participation of all presenters before submitting your abstract.
Roundtable proposals are due by September 30, 2018.
Conference Venue: The conference will be held at the newly renovated Marriott Country Club Plaza in midtown Kansas City, adjacent to the open-air shops and restaurants of the Country Club Plaza and in easy walking distance of the Nelson-Atkins Museum of Art. Conference Registration will open in December 2018. AV requirements are due January 1, early registration closes on January 20, and registration ends on February 20. Conference website: http://www.ncsaweb.net/Current-Conference
EPIC is the premier international gathering on the current and future practice of ethnography and design in the business world.
EPIC people create better business strategies, processes, and products, as well as enhance people’s lives, by illuminating the arc of social change through theory and practice. Our conference is a diverse gathering of interdisciplinary scholars and practitioners from every industry, including Fortune-500 companies, technology firms, management consultancies and design studios, universities and NGOs, public policy organizations and think tanks. Through the formal program and informal networking opportunities, EPIC attendees share leading expertise, gain new knowledge and skills, find business partners and opportunities, and make the invaluable connections that have grown EPIC into an essential, year-round community.
Information about past conference is available here.
Intentionally Digital. Intentionally Black.
African American Digital Humanities 2018
University of Maryland
October 18-20, 2018
Call for Proposals
What happens to digital humanities inquiry when we begin with Black culture, Black thought, and Black persons at the center of our endeavors? How does this shift challenge and expand both the humanities and the digital? What happens to Black and African American humanities research when we lead with the digital?
Interdisciplinary inquiry into both the online practices of black users and humanities research focused on black history and culture using digital tools has expanded in the past decade. Too often, this work happens on the margins of established disciplines, boundaries, and paradigms. Rather than arriving at black digital research as an afterthought or a tactic to achieve “diversity”, privileging black theory and black culture in our scholarship can provide alternate paradigms through which to understand the digital and the humanistic.
The first national conference of the African American Digital Humanities (AADHum) Initiative atthe University of Maryland will explore how digital studies and digital humanities-based research, teaching, and community projects can center African American history and culture. AADHum invites submissions that may include scholarly inquiry into Black diasporic and African American uses of digital technologies; digital humanities projects that focus on black history and culture; race and digital theory; the intersection of black studies and digital humanities; information studies, cultural heritage, and community-based digital projects; pedagogical interventions; digital tools and artifacts; black digital humanities and memory; social media and black activism/movements, etc.
We invite submissions from within and outside the academy – students, faculty, librarians, independent scholars and community members – to actively participate in the conference! Proposals are due by April 9, 2018.
• Proposals should be submitted online at https://www.conftool.pro/aadhum2018/
• Multiple proposal submissions (maximum of 3 submissions) from an individual or group are acceptable
• Selections and notifications will be made by mid-June 2018
Types of Proposals
· Individual papers. Please provide an abstract of 300-500 words and brief bio (75 words).
· Panels. Please provide a panel rationale of no more than 300 words, with individual paper abstracts (150-300 words) for up to 5 participants. Include titles and institutional affiliations for each participant.
· Digital Posters. Posters may present work on any relevant topic in any stage of development. Poster presentations are intended to be interactive, providing the opportunity to exchange ideas one-on-one with attendees. Please provide an abstract of 300-500 words.
· Tools/Digital project demonstration. Tools/Digital Project demonstrations are intended to showcase near-complete or completed work in an interactive environment. Please provide an abstract of 300-500 words. Abstracts should include 1) research significance, 2) stage (near complete/complete), 3) intervention of platform/project/tool 4) demonstration requirements (technology).
· Roundtables. Please provide a rationale of no more than 300 words, accompanied by a list of 4-5 participants (including title and institutional affiliation).
For each proposal please include 3-5 keywords.
- Examples of topics
- Abundance and deprivation
- Africa and the Americas
- Afro-futurism, -pragmatism and -pessimism
- Agency and movements
- Archives and archival practices
- Arts and visual cultures
- Blackness in everyday life
- Comparative Blackness
- Cyber/digital feminism
- Digital presence
- Digital slave studies
- Empirical and epistemological considerations
- Evaluating digital scholarship
- Languages and literatures
- Local and regional history
- Memory and commemoration
- Methods and tools
- Migration and movement
- Mobile technologies
- Performance studies
- Platform studies
- Poetics and aesthetics
- Public humanities
- Social media
- Space and place
- Systems of institutional power
- Within and beyond the academy
- Youth cultures
The AADHum Initiative (Synergies among African American History and Culture and Digital Humanities) at the University of Maryland is an initiative funded in part by The Andrew W. Mellon Foundation. AADHum seeks to prepare the next generation of scholars and scholarship by facilitating critical dialogue between digital humanists and African American centered humanities scholarship. The Initiative works to expand the reach of the digital humanities into African American/Africana/Black Studies while enriching humanities research with new methods, archives, and tools. This initiative enhances digital research while recognizing the expertise and knowledge from traditional humanities research and how it may propel digital scholarship forward. In so doing, it fosters a dialogue among a community of scholars from within and outside the academy as they venture into new research and pedagogical endeavors.
Please direct all questions to [email protected]