On August 14, 2018, a large segment of the Morandi Bridge on Italy’s A20 highway connecting Genoa’s western outskirts to Milan, Turin, and France collapsed in a cloud of dust and heavy debris. Forty-three people died, many more were injured, and about 600 residents had to leave their homes.
Undeterred by the Hong Kong summer temperatures, large numbers of visitors entered the former colonial police force quarters now known as the PMQ (short for Police Married Quarters) heritage space, keen on catching a glimpse of the displays.
“What was the vision for AFA at its founding?” I ask. Naomi Quinn’s (one of three founders of AFA) response was simple: “We three just filled a hole we thought needed filling.”
Following in a black feminist epistemological tradition, a key element of my work is to insert black people, who are often subjugated in ALS knowledge production, as both objects of knowledge production and producers of knowledge. What is ALS like for black people? Are they being diagnosed? Are they being misdiagnosed? What social and political structures are in place that make access to care challenging?
The Culture & Agriculture Sensorium explores the intersections between sensory experiences, agri-food systems, and the socio-political conventions surrounding food production. In this installation, Rebecca Richard explores the role of touch in the care of race horses and the place of this skill within horse racing’s labor hierarchy.
In January, an email from a Duke Professor went viral. This professor was talking about language. Specifically, the language of Chinese students in her program. She recommended that they not speak “Chinese” with each other when in the Duke Biostatistics Department.
In today’s world, where the tentacles of science delve into our humanity in ways most of us could only imagine a generation ago, the space that falls at the intersection between the biological and social sciences has become more critical than ever to operationalize.
We are pleased to announce the winners of the 2018 Association for Africanist Anthropology (AfAA) Student Paper Awards. Once again, we received strong submissions for both awards and have been impressed with the focus and quality of the research.
The theme of the 2019 Spring Conference is “Positive Futures.”
In a post-fact landscape, Trump’s highly effective swipes at “fake news” have repurposed a venerable leftist critical tradition into a political bludgeon to which progressives have no real answer, other than to defend a handful of corporate entities as torchbearers of democracy and consensual factual reality. What is needed is an approach that speaks to the real problem, which is that the relentless expansion of capitalized digital media (including but not limited to ‘the news’) is deeply anti-social, and thus anti-democratic. This is a position that spans our political and class spectrum in unexpected ways, as I examine in this article. Ironically, a renewed leftist skepticism of ‘the media’ is thus both necessary to our moment, and potentially an interesting point of political convergence.