The difference between a poem and an ethnographic poem is fieldwork. My ethnographic poems are written based on my field data, and sometimes as part of my field methods: they are attentive to the qualia of social life and the complexities of human experience as encountered in fieldwork.
This text appeared in the American Anthropologist submission queue, somehow entered as an anonymous manuscript, which the ScholarOne system is not supposed to permit. It seems to consist of excerpts from the author’s field notes, which is not the kind of thing that American Anthropologist publishes; given the unique perspective it represents, we wanted to find a venue for it, so we present it to you here in Anthropology News.
I have a quite uncomfortable visceral reaction when I am asked to speak to how I experience anthropology—and the academy more broadly—as a Black woman. I resent the feeling that the questioner believes that they know the answer before they ask—that they are actually looking for some kind of confirmation of their belief in the promise that a change is gon’ come, within the reality that it ain’t here yet.
Here’s the latest from Silicon Valley. It’s an autonomous ethnographer.
In Metaphors We Live By, Lakoff and Johnson (1980) argue that metaphor is like a sense. It structures human experience and guides our understanding of our own and other worlds. Metaphors are passed down, becoming a way for structuring experience—a feeling that guides us through our lives.
Introducing the Inaugural Conference of the Council for Museum Anthropology. The following is co-authored by three emerging museum anthropology professionals tasked with using ethnographic methods to critically reflect on the inaugural Council for Museum Anthropology conference, which took place May 25–27 of this year at Concordia University, Montreal, QC. This is the first installment in […]