From critical reflections on the discipline and experiences of it, to grappling with fake news and social media through an anthropological lens, to discussions on race and diversity in the anthropological imagination and the United States more broadly, this year’s top articles speak to major political moments and discipline-specific concerns.
In Ghana, creative culture and the contemporary art sphere is in a period of exponential growth and refiguration. Across Accra and Kumasi, the contemporary creative scene has been growing at an unprecedented rate since 2011–pervading public spaces, transportation infrastructure, historical sites, and online social networks such as Facebook, Instagram, and Twitter. In the absence of support structures for the arts, many artists and institutions have begun using urban public spaces as creative venues and substantive mediums for producing and displaying art.
“Okay, let’s start the memes,” posted a member of a community Facebook page in the town of Playa del Carmen, shortly after the first presidential debate concluded. Within minutes, the comments section of the post filled with hilarious, insulting, insightful, and downright offensive memes making fun of the five (currently four) presidential candidates.
Ever since the early years of the Internet, privacy and public conduct have been hot button issues. Some initial bad experiences taught me and my departmental colleagues that all emails should be treated as public documents, which means they are not the place for expressing opinions about tenure cases or job candidates.
#MeToo makes us all responsible for confronting sexual harassment.