Public and feminist anthropologists use multiple modalities to remap the traditional distinctions between university and community through rigorous scholarship and a commitment to social justice.
It was my second time attending the neighborhood association meeting in the community where I was doing fieldwork. The association president had invited me, saying he thought it would be great if I talked about my project with the attendees and that, perhaps, some people would want to share about their experiences living under food apartheid.
I should have been inoculated from Endgame’s bombastic and obvious themes, as I tend to be when confronted by, say, simplistic hagiographies like Bohemian Rhapsody or paeans to toxic masculinity like Wolf of Wall Street. But Endgame’s adulation of heroism, sacrifice, and duty deactivated my normally hypercognized cynicism.
Would you recommend that first authors try to get an advance contract? Why or why not?
The political struggle over the Mueller report illustrates the tortuous social life of a text—especially a text fraught with high political stakes for a sitting president. Special counsel regulations required Robert Mueller to communicate his “prosecution or declination decisions” in a report to the attorney general who would then provide a summary to Congress—ensuring the report would pass through several links of a twisty speech chain before reaching the public.
Before we can begin revising your thesis, you must make the decision that you want to revise it. Once you make that step, this process will only need to happen one time, because then you will be working on a well-organized paper, and you will want to keep it well organized.
“No” was my mother’s constant refrain. Every time I questioned her refusal to grant whatever request I had made that entailed being out of her presence, she responded with her favorite aphorism: “No means I love you.”
Ilana Gershon asked seven editors for their insights on questions that authors commonly ask. Five are press editors (Berghahn, Chicago, Indiana, Princeton, Stanford) and two are series editors. This month’s column explores the following question: How advanced should a project be before discussing it with you?
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Thirty-four minutes into Captain Marvel, our superhero, played by Oscar-winner Brie Larson, is standing in a Los Angeles parking lot wearing an intergalactic police uniform and reading an unfolded map. A man rolls in on a motorcycle, eyes her up and down, and says, “Nice scuba suit!” She barely gives him a side-eye in response, and miffed, he says, “Lighten up, honey, huh? You gonna smile for me?”