The government and media call them “immigrant detention centers.” They are meant to be temporary holding facilities—up to 72 hours—for migrants and asylum-seekers crossing the southern US border. But the average length of stay has become much longer and the facilities have become overcrowded and unsanitary. In a word, the conditions are inhumane.
What might viewing conspiracism as a form of play tell us about the workings of contemporary culture, our capacity for critical thinking, or how we build new understandings?
What is the difference between approaching a series editor and a press editor? For a first author, is there a strategy to this?
The criminalization of accompaniment is also an attack on the production of knowledge, particularly the day-to-day knowledge generated by accompanying migrants en route.
This June marks the fiftieth anniversary of the riots at The Stonewall Inn in New York City. The days-long series of marches and protests that immediately followed are widely celebrated as the beginning of the gay rights movement in the United States and many countries around the world. In the decades since, “Stonewall” has been transformed from a cluster of activist events into the mythological origins of a host of social and political movements.
The pressures to deliver and innovate in Silicon Valley echo the demands of higher education. How can learning from worker struggles and solidarity movements in anthropology make our work more ethical?
Public and feminist anthropologists use multiple modalities to remap the traditional distinctions between university and community through rigorous scholarship and a commitment to social justice.
It was my second time attending the neighborhood association meeting in the community where I was doing fieldwork. The association president had invited me, saying he thought it would be great if I talked about my project with the attendees and that, perhaps, some people would want to share about their experiences living under food apartheid.
I should have been inoculated from Endgame’s bombastic and obvious themes, as I tend to be when confronted by, say, simplistic hagiographies like Bohemian Rhapsody or paeans to toxic masculinity like Wolf of Wall Street. But Endgame’s adulation of heroism, sacrifice, and duty deactivated my normally hypercognized cynicism.
Would you recommend that first authors try to get an advance contract? Why or why not?